Gallery
Contents Introduction Capability Character Corruption Humiliation Gallery Related Resources The President and the Cartoonist: Ford’s Presidency Through the Cartoons of Pat Oliphant Wallace House Center for Journalists Special Thanks! Thanks to the Wallace House...Lost Film Lantern Slides
Contents Exhibit Introduction Making Pictures Move Muybridge: Modern Media Manipulator The Business of Film: Production, Distribution, Exhibition Case Study: Life of an American Fireman Lost Film Lantern Slides Related Resources Lost Film Lantern Slides Before...Case Study: Life of an American Fireman
Contents Exhibit Introduction Making Pictures Move Muybridge: Modern Media Manipulator The Business of Film: Production, Distribution, Exhibition Case Study: Life of an American Fireman Lost Film Lantern Slides Related Resources Case Study: Life of an American...The Business of Film: Production, Distribution, Exhibition
Contents Exhibit Introduction Making Pictures Move Muybridge: Modern Media Manipulator The Business of Film: Production, Distribution, Exhibition Case Study: Life of an American Fireman Lost Film Lantern Slides Related Resources The Business of Film:...Muybridge: Modern Media Manipulator
Contents Exhibit Introduction Making Pictures Move Muybridge: Modern Media Manipulator The Business of Film: Production, Distribution, Exhibition Case Study: Life of an American Fireman Lost Film Lantern Slides Related Resources Muybridge: Modern Media...Making Pictures Move
Contents Exhibit Introduction Making Pictures Move Muybridge: Modern Media Manipulator The Business of Film: Production, Distribution, Exhibition Case Study: Life of an American Fireman Lost Film Lantern Slides Related Resources Making Pictures Move The...
Living Photography: Finding Film History in the Archive
Twenty-three students enrolled in Matthew Solomon’s Winter 2024 section of FTVM 352 (Film History: Origins to the New Wave) were tasked with exploring these collections and creating this exhibition, which also serves as the capstone assignment for the course. Produced by a class dedicated to “hands-on” approaches to film history, we hope that visitors feel encouraged to watch, listen, touch facsimiles, move at a comfortable pace, pause, and revisit in whatever way makes the exhibit come most alive for you.
