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City Life

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John Bachmann arrived in the United States from Germany in 1848, and almost immediately became the country’s finest artist of urban bird’s-eye views. This recently acquired 1849 view of New York, looking south from Union Square, was Bachmann’s first bird’s-eye view of an American city.
Thomas Jefferson only published one book in his lifetime, Notes on the State of Virginia. It contains much of what we now consider to be the core of Jefferson’s thought, including his famous condemnation of cities: “The mobs of great cities, add just so much to the support of pure government, as sores do to the strength of the human body.” Jefferson’s elevation of the simple yeoman farmer as the ideal American citizen (even while he himself enslaved more laborers than any other U.S. president) has shaped generations of Americans’ thoughts about our shared past. Our nation’s history, we are told, is above all a quest for independent ownership of land—land to plant crops, raise cattle, dig for gold. Which is to say that our nation’s history is rural.

Nothing could be further from the truth. Even in the late 18th and early 19th centuries, one of the most remarkable things about the United States—noted by native-born Americans and foreigners alike—was its pace of urbanization. Perhaps none of the cultural shifts that transformed the United States in the decades before the Civil War were as significant as the growth of large cities. This story of urban expansion is one that the collections at the Clements Library tell remarkably well, both in terms of where items in the collection were produced and what they are about.

An 1843 novel by Thomas Low Nichols titled Ellen Ramsay; or the Adventures of a Greenhorn in Town and Country offers a glimpse at how profoundly different the experience of city life was for many Americans. When the “greenhorn” of the title first arrived in New York, “his ears were dinned with all sorts of uncouth noises. The streets in the distance seemed filled with one tremendous roar, as if the city carried on as part of its immense trade an extensive business in retail thunder.” The sounds, smells, and speed of large antebellum American cities were unlike anything rural Americans had experienced. And while some were repulsed, many more were fascinated. Jayne Ptolemy’s article in this issue on the disorientation produced by the urban environment “captures these combined responses of attraction and fear.

So how fast were American cities growing? The numbers are difficult to believe. The cities of the early United States were compact collections of mostly wooden buildings, of easy walking scale. In 1800, the vast majority of New York’s 60,000 residents lived on the southern tip of Manhattan Island below Canal Street. Similarly in Philadelphia, which was the nation’s largest city, the population was concentrated in what we now call Old City, with some spillover south and north into areas that were then not part of the city proper.

By 1860, Manhattan was home to over 800,000 people, with another 280,000 living in the then-independent city of Brooklyn. Philadelphia had grown from 40,000 in 1800 to over 560,000. What was even more remarkable was the sudden appearance of cities that had been nothing more than tiny clusters of buildings in 1800. Cincinnati grew from under 10,000 residents in 1820 to over 160,000 in 1860. St. Louis was home to only 5,000 people in 1830; three decades later, it had also topped 160,000. More dramatic still were the so-called “mushroom cities” of the West. In the span of 30 years, from 1840 to 1870, Chicago multiplied in size 66 times, from 4,500 to 300,000. San Francisco topped them all. When gold was discovered in California in 1849, there were fewer than 1,000 people living on the peninsula. Three years later, there were 35,000; by 1870, there were 150,000.

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True crime narratives like this one were often connected to the city where they took place, bolstering the impression that cities were sites of violence and excitement. This paper-covered book,  The Baltimore Sorrow (Philadelphia, 1879) details a dramatic murder in Baltimore. Lizzie James claimed to have been seduced by Denwood Hinds, a wealthy young man who had served in the military with her brother. Lizzie’s father Isaac was shot and killed after confronting Hinds, who was acquitted of murder on grounds of self-defense.
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This advice book, The Spider and the Fly, by Henry William Herbert (New York, 1873) claimed to reveal to readers the many dangers–financial, moral, and otherwise–of life in a large American city. The author’s pseudonym, “One Who Knows,” reinforced the notion that there were some people who truly understood how cities worked, while those from the hinterlands could only marvel.
By 1860, Manhattan was home to over 800,000 people, with another 280,000 living in the then-independent city of Brooklyn. Philadelphia had grown from 40,000 in 1800 to over 560,000. What was even more remarkable was the sudden appearance of cities that had been nothing more than tiny clusters of buildings in 1800. Cincinnati grew from under 10,000 residents in 1820 to over 160,000 in 1860. St. Louis was home to only 5,000 people in 1830; three decades later, it had also topped 160,000. More dramatic still were the so-called “mushroom cities” of the West. In the span of 30 years, from 1840 to 1870, Chicago multiplied in size 66 times, from 4,500 to 300,000. San Francisco topped them all. When gold was discovered in California in 1849, there were fewer than 1,000 people living on the peninsula. Three years later, there were 35,000; by 1870, there were 150,000.

With urban growth came urban problems: crime, prostitution, drunkenness, noise, sewage, poverty, fires, rampant inequality, loneliness, and more. Yet cities also offered economic opportunity, excitement, diversity, popular entertainment, and anonymity, as well as ample opportunities for the exercise of benevolence. It’s also the case that even though countless critics warned against city life because of the challenges it presented to conventional morality, for many Americans those challenges to conventional morality were a big part of
the draw.

The Clements Library’s collections chart this boom in urban growth (and the increasing diversity of urban populations) in countless ways, from prints to maps to diaries to books. This interest in urban expansion starts early, as you will see in Mary Pedley’s article on the 16th century indigenous settlement of Hochelaga, and extends into the future, as Emiko Hastings describes in her piece on an eccentric vision of the future of Detroit. Perhaps no part of the collection is more focused on the phenomenon of urbanization than our holdings of bird’s-eye views, a genre of printmaking that was very nearly exclusive to the 19th-century U.S. (even though some of its finest practitioners, such as John Bachmann, were from overseas). Bird’s-eye views represented cities from an imagined perspective high in the air, and in the process became the perfect medium for charting urban growth over time. This desire in visual culture to be able to see the city whole extended into photography, as Clayton Lewis discusses in his article on photographic panoramas.

Other portions of the collection share this urban focus. The Medler Crime Collection consists of printed works of both fiction and what we would now call “true crime,” genres that were almost entirely situated in cities and were closely connected to the antebellum decades’ outpouring of sensational novels about city life (the “Mysteries and Miseries” of cities from Worcester to New Orleans). Materials we have acquired to support the Medler Collection in recent years chart the rise of other urban institutions—police departments, reform schools, orphan asylums, and prisons—that were created to respond to urban problems.

Many of our manuscript collections describe encounters with the city by writers from all walks of life. Their responses, whether positive or negative, were shaped by what they had been told to expect from the urban environment by the flood of print focused on city life. Maggie Vanderford describes one diarist’s long-term encounter with urban growth, as seen through the lens of his work in the shoe business. Urbanization didn’t only alter the ways people lived and played, it wrought profound changes in how people worked. Whether they read children’s books or saw playbills or read almanacs and novels, American readers in the 18th and 19th centuries would have imbibed the powerful message that cities were where things happened, from important political debates to tawdry circus performances. In this regard it is important to mention newspapers, which were perhaps the signature print form of early American cities. Being sufficiently large and industrious to support at least one daily newspaper was an important milestone for any town that had higher aspirations. The Clements Library’s remarkable collection of 18th- and 19th-century newspapers is not as well known as it should be (we are currently seeking resources to create a checklist of the titles and issues that we hold so we can add them to the online catalog).

Any collection of printed Americana from 1750 to 1900 is by definition an urban collection due to the remarkable concentration of all industries related to communication in American cities (and particularly New York) during this time. As the historian David Henkin noted in his book City Reading (New York, 1998), in the 1850s, New York—which only had two percent of the nation’s population—accounted for 18 percent of the country’s newspaper circulation, processed 22 percent of the country’s mail, and received over 37 percent of its publishing revenue. The urban centralization of the printing trades in the United States happened early, as the new nation began to wean itself from dependence on imported print, but accelerated as the 19th century progressed. By mid-century, Philadelphia, Boston, and Cincinnati combined with New York to entirely dominate the national print market. Thus, both in terms of material production and subject matter, the Clements Library’s collections show—as you’ll see in the rest of this issue—that early American history is urban history.

­— Paul Erickson
Randolph G. Adams Director

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Antebellum American literature saw a tremendous boom in “city mysteries” fiction–novels that claimed to reveal the seedy underside of urban life. George Lippard’s The Quaker City; or, The Monks of Monk-Hall, a sensational exposé of Philadelphia’s hidden structures of class and power, was the first successful American example of the genre. First published in parts in 1844, it was reprinted numerous times, including in this 1876 edition.